“The score projects the characters’ emotions and stretches them out over the land, imbuing physical terrain with a disquieting feel – not quite menace, initially, though one can sense the gravitational pull of this world tilting in that direction.

Sometimes Czajka’s score contains an ominous drumming noise, which sounded to me as if an alien had been tasked with replicating the sound of a heartbeat, returning with something not entirely wrong, rhythmically speaking, but lacking a fundamental human quality. There are whistling noises and brassy vibrations; there are metallic sounds that feel like they’re both coming towards us and drifting away. These noises have a profound effect, reaching every corner of the mise en scène and every gesture from the actors.”

— Luke Buckmaster, The Guardian of ‘In Vitro’